In 2011, on the occasion of the exhibition OCEANOMANIA: Souvernirs of Mysterious Seas – a project by Mark Dion – David Brooks made a proposition for the flags on the roof of Villa Paloma, eight pareidolias, the familiar shapes one can find in clouds.

David Brooks
Pareidolia : When Flags Become Clouds and Clouds Become Fish, 2011
Courtesy of the artist and Museum 52, photo : NMNM/Mauro Magliani et Barbara Piovan, 2011
Ten years later, Shimabuku has been invited to imagine new flags as part of his exhibition The 165 metre Mermaid and Other Stories.

Shimabuku
Moon and Potato , (detail) 2021
8 prints on flags
Photo : NMNM/Andrea Rossetti, 2021
“When I look at the moon, I think of a potato
When I look at a potato, I think of the moon.”– Shimabuku
The exhibition in Monaco highlights Shimabuku’s inclination to reconnect the distant and rethink the notion of alterity. The poetical analogy the artist formulates in Moon and Potato is a perfect indicator of this process. An image taken from his film Fish and Chips, a potato floating in the sea (hypothetically waiting for a fish), is here associated with the moon, forming a comparison as formal as it is humorous. Is the potato floating in the sky, or the moon in the sea? The so-called relational aesthetic is hereby raised as a flagship.
Pareidolia : When Flags Become Clouds and Clouds Become Fish, 2011
Courtesy of the artist and Museum 52, photo : NMNM/Mauro Magliani et Barbara Piovan, 2011
Ten years later, Shimabuku has been invited to imagine new flags as part of his exhibition The 165 metre Mermaid and Other Stories.

Shimabuku
Moon and Potato , (detail) 2021
8 prints on flags
Photo : NMNM/Andrea Rossetti, 2021
“When I look at the moon, I think of a potato
When I look at a potato, I think of the moon.”– Shimabuku
The exhibition in Monaco highlights Shimabuku’s inclination to reconnect the distant and rethink the notion of alterity. The poetical analogy the artist formulates in Moon and Potato is a perfect indicator of this process. An image taken from his film Fish and Chips, a potato floating in the sea (hypothetically waiting for a fish), is here associated with the moon, forming a comparison as formal as it is humorous. Is the potato floating in the sky, or the moon in the sea? The so-called relational aesthetic is hereby raised as a flagship.
Published in
Villa Paloma
Thursday, 18 February 2021 09:42
Projection de L'inconnu de Collegno, 2019 de Maïder Fortuné
Written by Elodie BiancheriEn présence de l'artiste
Samedi 13 mars 2021, 15h - Théâtre des Variétés
En partenariat avec l'Institut audiovisuel de Monaco
Published in
News
Monday, 01 February 2021 10:38
Ateliers Jeune Public - Vacances de février 2021
Written by Elodie Biancheri
Published in
News
Tuesday, 22 December 2020 15:48
Publication of the book "Artifices instables, Stories of ceramics"
Written by Elodie BiancheriNow available at Villa Sauber
Published in
News
Hommage à l'artiste, organisé par le FRAC Nouvelle-Aquitaine MÉCA
Published in
News
Thursday, 15 October 2020 13:58
Ateliers Jeune Public - Vacances de la Toussaint 2020
Written by Elodie BiancheriAteliers Jeune Public vacances de la Toussaint [Complet]
Published in
News
Thursday, 15 October 2020 13:52
Ateliers Jeune Public - Vacances de la Toussaint 2020
Written by Elodie BiancheriAteliers Jeune Public vacances de la Toussaint [Complet]
Published in
Workshops
Jeudi 15 octobre, 18h - 21h
NMNM - Villa Paloma
Published in
News
Pierre Le-Tan
NMNM Villa Paloma - La Table des Matières
56, boulevard du Jardin Exotique
Published in
Villa Paloma
Tuesday, 22 September 2020 14:08
Miró, La Peinture au défi - Villa Paloma
Written by Elodie BiancheriMiró
La Peinture au défi
September 23 - October 25, 2020
NMNM – Villa Paloma
56 boulevard du Jardin Exotique
Published in
Villa Paloma